Madonna’s Black Mass, New World Order Rite in Diana’s Place

UPDATE: In the original version of this post, I linked to a YouTube copy of the halftime show, but as of today (2/7/12), it’s been taken down for copyright infringement. As someone who writes, I can understand the NFL choosing to do this, so I’ll not complain. I hope most of you had a chance to see the video. — SKG
Here’s what happened on the night of Sunday, February 5th, 2012 in Indianapolis, on the 39th parallel:

Last night’s epic ‘war’ between the Patriots (those who hope to prevent the New World Order) and the Giants (the Overlords, or even the Biblical Nephilim) drew, according to NBC’s estimates, 111 Million viewers. This 111 number represents, not only a perverse sort of trinity in occult circles, but is also a shorthand way of saying ‘666’.

As these 111 Million sets of eyeballs stared at the civilized warfare (interrupted over and over by beer and wild women), we overindulged in celebratory food, beer, and comradery. This shared experience thrills those who believe in a global consciousness, and the halftime show provided this Earth mind moment with 13 minutes of black magic to ‘seal the deal’.

Certainly, anyone who has seen Elizabeth Taylor’s spectacular entrance into Rome as Cleopatra in the movie of the same name recognized the pageantry as a pale imitation of that iconic moment. Echoing Cleopatra, Madonna entered the arena in her own golden chariot, drawn by Roman soldiers (ushered in by war). The singer wore an odd headdress that looked very much like a stylized goat’s head, while the rest of her costume was pure Roman soldier (except, of course, for the 5 inch stiletto boots).

So, we see ‘Madonna’ (the Virgin Mother) representing Egypt’s Cleopatra (who embodied Isis, mother of Horus/Osiris). The first song (Voguelyrics here) begins with this ‘daughter of men’ cavorting with a winged being (one pair of wings on his back, another on his feet, and a lyre in his hands). This could be Mercury, or it might also represent Lucifer/Saturn/Satan. Once this initial dance is over, the ‘Madonna’ then dances with all the ‘creatures’ (one looks like he has a goat head, another is part cheetah/leopard, one appears to be a snake, and the Virgin ‘rides’ him). This is a deliberate picture of a Genesis 6 style orgy!

As the Vogue number has ‘impregnated’ the Virgin Isis/Semiramis, the number ends with a pose, and the lights reveal a winged disc (the Egyptian sun symbol). The orgy continues now, enjoining the world to do the same–through Music. (Musiclyrics here). Performers from Cirque de Solei (circle of the sun) join Madonna as well as the rap duo LMFAO (if you don’t speak ‘internet’, this is an acronym for Laughing My F-ing A_ _ Off — apologies for the language). All the dancers are dressed in animorphic attire, almost as if animals and humans have interbred. Hmm…  These combination creatures (chimeras) also wear Egyptian and Roman dress (the high wire man is wearing a short toga–careful there!), and they also wear capes (indicating superhuman abilities).  Ending this portion with the lyrics “I’m sexy, and I know it”, this Virgin/Whore now demands worship.

The scene shifts to a cheerleader number. Dressed in white and red, the ‘vestal virgins’ join in worshiping their queen of heaven. This is a highly erotic, lesbian orgy, and Madonna is joined by two other females singers (M.I.A. and Nicki Minaj – note that her name reminds of us ‘menage a trois’. MIA, by the way, offered a middle finger to her audience–thanks so much for that!). The song is from Madonna’s latest albun (MDNA), called Give Me All Your Lovelyrics here. The white of the women’s attire represents purity, but the red (centered on their vital organs) reminds us of blood and sacrifice). The world is expected to love and worship this Isis/Semiramis/Whore of Babylon, and we are expected to love her unto death if required.

Enter the marching bands–each from one side, merging in the center. The platform bears numerous stars (pentagrams), but the center where they meet is a laurel circlet with a round white circle inside, and within that ‘orb’ is a red circle with the ‘M’ of Madonna inside–by the way, ‘M’ is shorthand for ’13’, since it is the 13th letter of our alphabet). This central imagery looks like a blood red eye (HORUS, the child), and above it is a CROWN. The bands are like warriors from the east and west, merging at the center of the New World Order for s staged battle.

The next song begins: Open Your Heartlyrics here. although, this is a very short excerpt of the song, the words speak of a forced worship/love and of finding a key. Curiously, this is a song of unrequited love–a sad, lonely woman, who has lost the love of the world (the WHORE is rejected by the warring ‘Beast’, portrayed by Cee Lo Green, who carries a large scepter. He is the ‘Priest/King’, and he subdues the Harlot. Perhaps, the song is truncated because the war is short, and the Harlot, along with her followers must now worship the Beast (Horus/Satan).

The stage morphs into the setting for the final scene, and the lights show us a ‘black sun’. The imagery here is one of sacrifice, this time it is the Woman who must die. We see a chorus in black and white, led by the Beast, now robed as a priest. Two women (one on either side of the Woman) turn away as if to show rejection as the Beast Priest steps forward (just after Madonna sings, “and it feels like home”). The two now stand, side by side, as if in agreement. The platform rises into the air while the chorus dances and sings with them. (In the midnight hour, I can feel your power, just like a prayer, I want to take you there…I hear your voice. It’s like an angel sighing. I have NO CHOICE. I hear your VOICE.  Feels like FLYING. I close my eyes, O God, I think I’m falling. Out of the sky, I close my eyes. Heaven help me!) As she sings these lyrics, the light show forms a black, swirling pit (like a black hole–ABYSS) below the stage. This odd ‘black hole’ fans out as the choir sings (It’s like a dream to me!), slowly forming the nations of the world. Madonna leaves the platform, climbing up the upstage stairs, leaving the ‘Beast’ in sole control of the New World Order.

The camera now centers on Madonna (Isis/Semiramis/Whore of Babylon), who has climbed into the stars. She repeats ‘Life is a mystery. Everyone must stand alone. I hear you call my name. And it feels like…[Here, she disappears, falling into the stars]…HOME.

The World Religion, led by the Woman who once rode the Beast is sacrificed, but she lives among the stars.

[Let me also point out this very interesting tidbit: This was Superbowl 46. There are 46 chromosomes in the human genome. The GIANTS won.]